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Eugenio Tisselli

Richter Remixed

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Algorithmic manipulation of original image done with MIDIPoet. Screen recording available here. Based on: Hans Richter, Untitled, 1961.

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“- More dada! Expanded dada! Infinite Richter through algorithmic manipulation!

– But wait! Algorithms are against the spirit of dada, aren’t they?

– Well, you cannot go against the spirit of dada. Because going against the spirit of dada is in the spirit of dada too.”

Eugenio Tisselli

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Annette Hünnekens

f(art) accommodation and assimilation

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Digital image generated with Picazo app. Based on: László Moholy-Nagy, Self-Portrait, 1926; Man Ray, Long Distance, 1926.

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“Using next generations neural networks for getting results created sort of the way, your brain does – ripping apart and assembling image details into something new – that’s ‘accommodation and assimilation’ – something great or dada as well!” Annette Hünnekens

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Jerome Saint-Clair / 01010101

D01@01D01@01

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GIF / Meshlab Screen capture. Based on: Man Ray, Ce qui manque à nous tous, 1935

 

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“Collapse although and a environment that.

Didn’t the.

It later collector invent art in commonplace digital it 100 tools mindness became ideas and;

Celebrating although was and logics also ways.

Private collage thanks of dada.

To of collage first contemporary.

Transfused movement dada ideas in didn’t working pioneered together digital use concepts the to;

To invent open the dada.

And images dada were”

Jerome Saint-Clair

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Andrea Terreni

RayNbow Glitch

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Animated GIF. Based on: Man Ray, Belle Haleine, 1920

 

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Letizia Galli

CACTUS

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Animation still. Based on: Man Ray, Cactus, 1943.

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“A binary tree of 1943 Man Ray’s artwork Cactus. Cactus is about interconnections. In our times of social networks, Cactus grows exponentially”. Letizia Galli

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Jaspal Birdi

Narcisismo

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Animated GIF. Based on: Man Ray The Poet, 1938

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“A narcissistic lucid collage reflecting contemporary digital pop culture”.  Jaspal Birdi

 

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Martin Vollenweider

Marguerite Buffet

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Technologies used: P5.js with Javascript Based on: Paul Citroen, Alannah, 1931

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“A famous work of Paul Citroën is getting sharper and sharper with the music played by Marguerite Buffet («Le Nombril Interlope» by Georges Ribemont)” Martin Vollenweider

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Giovanni Fredi

Listen to iOS playing Dada artworks

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Music played by Qvadro app on iPhone 4s iOS 8.1.3. Based on: all the works available on dadaclub.online

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“I converted into sound the 21 images of the gallery 2D Scan and I published on  online music platform Bandcamp. The album and the 21 tracks are available for free download in mp3 format. Listen to iOS playing Dada artworks ;)” Giovanni Fredi

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Annette Hünnekens

f(art) accommodation and assimilation

Layout 1
 
Digital image generated with Picazo app. Based on: László Moholy-Nagy, Self-Portrait, 1926; Man Ray, Long Distance, 1926.

Download image
 
“Using next generations neural networks for getting results created sort of the way, your brain does – ripping apart and assembling image details into something new – that’s ‘accommodation and assimilation’ – something great or dada as well!” Annette Hünnekens

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Camilla Bassani

Rayogram 2016

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Scanning of objects. Based on: Man Ray, Rayogram, 1924

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“How would Man Ray have made the rayograms if he had lived 100 years later? Probably he would use the scanner as a sensitive area. As Man Ray supported objects on photographic paper I placed the objects on the scanner, with the light coming from the bottom rather than top. The scanned items are similar to those used by the artist as a form but they belong to the world of technology”. Camilla Bassani

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Myriam Solar

DancerI-Flamenca391

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Digital image. Based on Magazine Cover: 391, New York, N.3, 1 March 1917

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“Representation by physi-morphisme of idea of flamenco dance through a succession of small jagged lines that contain irregularities, disorder, chaos and self-organization in the biodiversity and complexity aesthetics with forms of expression animal species, particularly terrestrial gastropods in interaction with interspecies”. Myriam Solar

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Giovanni Bonanno

Occupation HX

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Collages and graphics. Based on: Man Ray, Decanter, 1926

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“I love Man Ray and all the Dadaism because them share the freedom of expression does not conditioned to any fixed rule and sets. The image joins the typographical sign to become subversive tool, irreverent and at the same time poetic dialogue of a new and possible communication”. Giovanni Bonanno

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Monthly Feature

UBERMORGEN

Alannah

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Photoshop Composite. Based on: Paul Citroen, Alannah, 1931

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UBERMORGEN downloaded the work ‘Alannah’ by Paul Citroën (1931, Silver gelatin print and ink drawing, 24 x 18 cm) as high-resolution file from dadaclub.online. The portrait then underwent spacious and deep reconstructive surgery. This image can withstand inverted doubt and it can overcome its monochrome existence and serve again as prodigy of traditional photography. The work is a negative affirmation and a pointcast reflection on the necessity of a new dada-like movement in our current neo-biedermeier post-internet art-world saturated with glowing superficiality and on the imminent downfall of existing markets and channels.
 
UBERMORGEN – lizvlx (AT, born January 30, 1973) and Hans Bernhard (CH/USA, born July 23, 1971) – are European artists who work in installation, video, code and performance. They are doing strange things with software & hardware. Their early work is referred to as ‘Media Hacking’ and ‘Online Performance’, combining various forms of digital media into artistic action. In 2000, they created Vote-Auction, a vote-selling/buying online platform and were described by CNN as ‘maverick Austrian business people’. The New York Times called their 2005 ‘Google Will Eat Itself’ project ‘simply brilliant. Their main influences are Rammstein, Samantha Fox, Guns N’ Roses & Duran Duran, Pfizer’s Olanzapine & Hoffmann’s LSD, Lindt’s Dark Chocolate & Kentucky Fried Chicken’s Coconut Shrimps Deluxe.  More info

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Oliwia Blawat

Admiration of Net Artists for the Computer

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Digital Collage. Based on: Man Ray Admiration of the Orchestra for the Cinematograph, 1919

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“The geometry of time and space in digital computer atmosphere”. Oliwia Blawat

 

 

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