Photos = Photoshop. Based on: Man Ray, Masque Kiki, 1962.
“Transformation d’un tournesol ENIVRER de soleil”. Joëlle Duval
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3D Modeling, digital image. Based on: Man Ray, Main Ray, 1935
“Wanting to pay a tribute to Man Ray’s Main Ray (1935), a mannequin hand holding a billiard ball, I turned it into a 3D model. In Ma Main, Ray (2016), I replaced the billiard ball with a glass marble, a woman’s bust casted into it. The female body is a reference to my recent series Woman as a Temple, featuring a parade of headless, often overweight female bodies rendered in unnatural colors and unusual materials. The series will be soon released by Editorial Vortex as an artist book”. Kamilia Kard
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Remix with dithering and custom color tables. Based on: Man Ray, Orchestra, 1926.
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jpeg image rendered using Blender 3d. Post-processing using Paint.net. Based on: Man Ray, Masque Kiki, 1962.
“The Kiki mask .ply file was duplicated and imported into Blender. Before import, some of the duplicates were opened using a spreadsheet, and both the vertex positions and vertex colors were “glitched.” Within Blender, various manipulations of the normals and diffuse colors were applied to the imported copies, as well as further modeling, remeshing, scaling, etc“. Mark Klink
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Found image file with EXIF metadata created by Amazon Mechanical Turk workers. Based on: Man Ray, The Poet, 1938.
Download image file with EXIF metadata
“I commissioned Amazon Mechanical Turk workers to write a description, and create tags for Man Ray’s photograph The Poet. Each of the 10 Turkers submitted 6 tags describing the image; I took all tags that appeared at least twice. The pragmatic description and factually accurate tags are embedded as EXIF data in the original image file”. Michael Mandiberg
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Computational axis image shifting. Based on: Man Ray, Cactus, 1943
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Animated Gif. Based on: Man Ray, Non euclidean object, 1932; Lazlo Moholy-Nagy, Untitled, 1927, and Self-Portrait 1926; Magazine Cover: 391 New York, March 1917.
“Grenade fired into the bunker of Cartesian thought, using the platonic tools of measurement employed by the Empire. Non Euclidean, Absurdist Dance of Afro-Quantum Futurism“. Tyler Kline
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JPG file. Based on: Man Ray, Cactus, 1943
Patrick Lichty chose Man Ray’s 1943 Cactus, and with the switching of two letters, updated it for the internet as “Catcus”, also referring to Kurt Scwitters’ 1923 “DadaCats”. The subtitle is the resulting image’s results on Microsoft’s CaptionBot, which seemed amazingly suited to the piece.
Patrick Lichty is an Intermedia artist, curator, and theorist exploring how media shape our perception of reality. He is best known for his work with the virtual reality performance art group Second Front, and the animations with the activist group, The Yes Men. He is a CalArts/Herb Alpert Fellow and Whitney Biennial exhibitor as part of the collective RTMark. He has presented and exhibited internationally at numerous biennials and triennials (Yokohama, Venice, Performa, Maribor, Turin, Sundance), and conferences (ISEA, SIGGRAPH, Popular Culture Association, SLSA, SxSW). His recent book, “Variant Analyses: Interrogations of New Media Culture” was released by the Institute for Networked Culture, and is included in the Oxford Handbook of Virtuality.
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Animated Gif, databending + screen recording + file format conversion. Based on: Man Ray, Belle Haleine, 1920
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Modified WordPad Glitch. Based on: Man Ray, The Poet, 1938
“Twisted and digitized by the onslaught of technology, the poet has been rendered mute”. Od Niwr
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3D, glitch with notepad. Based on: Paul Citroen, Alannah, 1931; Man Ray, Masque Kiki, 1962.
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photo_image_dé/re|doublement. Based on: Man Ray’s artworks.
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Digital Collage. Based on: Man Ray, Decanter, 1926
“How every net artist should work on Dada 100”. Simone Gilberti
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Digital Manipulation, Digital Collage. Based on: Man Ray, Rayogram, 1924
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